Literary Memoir

The last years of King Charles IX's reign in France were dominated by religious wars between Catholics and Protestants. Queen Margot begins in 1572 with the marriage of Marguerite de Valois to Henri de Navarre. Marguerite is King Charles' sister and the daughter of Henri II and Catherine de Medici, all firm Catholics. Henri de Navarre is a Protestant who later will become the beloved King Henri IV. Several important political events have led up to this marriage including the mysterious murder of Henri de Navarre's mother, cleverly plotted by Catherine de Medici. The wedding brings noblemen from all over the world to Paris resulting in the notorious Saint Bartholomew Massacre, where thousands of Protestants are killed. In this inventive and compelling novel, Dumas brings an extraordinary period of history vividly to life with much excitement and romance. The lively prose and wonderfully constructed plot tell of court intrigues and forbidden love, of beautiful queens, duchesses, and noblemen, suspense, conspiracies, betrayals, assassinations, superstitions, poisonings, and sumptuous feasts. With well-known historical figures as main characters in a dangerous and breathtaking game for power, Queen Margot tells of conspiracies, clandestine trysts, and daring escapes. There is the infamous Catherine de Medici, deliciously evil, constantly plotting and poisoning; Le Mole, a dashing and irresistable young Protestant who becomes Marguerite's lover; the noble Coconnos who provides a great source of comic relief; and at the center of all this intrigue are the good-hearted Marguerite and Henri who are perfect political allies with complicated and fascinating love lives.

First published in 1875, General William T. Sherman's memoir was one of the first from the Civil War and was offered to the public because, as Sherman wrote in his dedication, "no satisfactory history" of the war was yet available. Although Memoirs has been revised and corrected many times over the years, Sherman famously never changed the original text of his recollections.

Trying to Save Piggy Sneed contains a dozen short works by John Irving, beginning with three memoirs, including an account of Mr. Irving’s dinner with President Ronald Reagan at the White House. The longest of the memoirs, The Imaginary Girlfriend,” is the core of this collection.

In this original and trenchant work, Christina Sharpe interrogates literary, visual, cinematic, and quotidian representations of Black life that comprise what she calls the "orthography of the wake". Activating multiple registers of "wake" - the path behind a ship, keeping watch with the dead, coming to consciousness - Sharpe illustrates how Black lives are swept up and animated by the afterlives of slavery, and she delineates what survives despite such insistent violence and negation.

In Arthur Golden's poised and beautifully written debut novel, Sayuri tells the extraordinary tale of her life, evoking a quarter of a century of Japan's dramatic history, 1929 through to the post-war years.

Mary Jumbelic has been obsessed with death since the loss of her father when she was 13. The sudden departure of her dad, the mother left behind, and her position as an only child led her to grow up quickly. Yet the why and how of her father's death plagued her. She chose to view an autopsy at the age of 15 and discovered a science that explained the process. College, medical school and becoming a forensic pathologist wasn't a given. She struggled before ultimately deciding on a career as a medical examiner.

It is not often that an author and his editor strike up a relationship which survives forty years of epistolary exchanges and intellectual sparring. The strangely enduring and occasionally fractious friendship which developed between the famously outspoken historian Ramachandra Guha and his reticent editor Rukun Advani is the subject of this quite eccentric and thoroughly compelling literary memoir.

Novelists, poets and playwrights live double lives, sharing the real world with everyone else while spending a good deal of time in a universe of their own making. When they fall out with each other, they are able to kindle feuds and antagonisms as passionate and public as workers in any trade. Richard Bradford’s highly entertaining audiobook looks at some of the closest and most complex relationships in literary history, examining their dramatic effects on literature itself.

Former bookseller, longtime publisher, and author Jon M. Sweeney shows—with history and anecdotes centering around books such as Thoreau's Journal, Tagore's Gitanjali, Martin Buber's Hasidic Tales, and Tolstoy's Twenty-three Tales—what it means to be carried by a book. He explores the discovery that once accompanied finding books, and books finding us. He ponders the smell of an old volume, its heft, and why bibliophiles carry them around even without reading them. He demonstrates how and why there is magic and enchantment that takes place between people and books.

Anchored by excerpts from her favorite memoirs and anecdotes from fellow writers' experience, The Art of Memoir lays bare Karr's own process. (Plus all those inside stories about how she dealt with family and friends get told - and the dark spaces in her own skull probed in depth.)

In February 1990, Oregon State Police arrested John Sosnovke and Laverne Pavlinac for the vicious rape and murder of Taunja Bennet. Pavlinac had come forth and confessed, implicating her boyfriend and producing physical evidence that linked them to the crime. Authorities closed the case. There was just one problem. They had the wrong people. And the real killer wasn't about to let anyone take credit for his kill.

What is the role of the writer? Prophet? High priest of art? Court jester? Or witness to the real world? Looking back on her own childhood and writing career, Margaret Atwood examines the metaphors which writers of fiction and poetry have used to explain - or excuse! - their activities, looking at what costumes they have assumed, what roles they have chosen to play. In her final chapter she takes up the challenge of the title: if a writer is to be seen as "gifted", who is doing the giving and what are the terms of the gift?

Machado de Assis’ classic novel, the precursor of Latin American fiction, is finally rendered as a stunningly relevant work for 21st-century audiences. In eloquent, contemporary prose, Costa and Patterson breathe new life into the dynamic character of Brás Cubas and reveal the vivid, tempestuous Rio de Janeiro of his time. The recently deceased Cubas narrates his life story, admitting glibly: “I am not so much a writer who has died, as a dead man who has decided to write.”

Some of the parchment pages were the color of cream, thick and substantial, made to last many, many lifetimes. Other pages were thin and desiccated, positively yellow from age, and crackled alarmingly as Van Richten turned them over. There were no ornate illuminations, no fussy borders, only lines of plain text in hard black ink. The flowing handwriting was a bit difficult to follow at first; the writer's style of calligraphy had not been in common use for 300 years. No table of contents, but from the dates it looked to be some kind of history.

'There are certain women,' Truman Capote wrote, 'who, though perhaps not born rich, are born to be rich.' These women captivated and enchanted Capote - he befriended them, received their deepest confidences, and ingratiated himself into their lives. From Barbara 'Babe' Paley to Lee Radziwill (Jackie Kennedy's sister) they were the toast of mid-century New York, each beautiful and distinguished in her own way. For years, Capote had been trying to write what he believed would be his magnum opus, Answered Prayers.

Thomas's recording of this holiday classic is considered the first official audiobook. You'll hear the author's recollection of a holiday in the seaside town of his youth as well as some of his most celebrated poems, including "Do Not Go Gentle into That Good Night."

1917. Virginia Woolf arrives at Asheham, on the Sussex Downs, immobilized by nervous exhaustion and creative block. 1930. Feeling jittery about her writing career, Sylvia Townsend Warner spots a modest workman’s cottage for sale on the Dorset coast. 1941. Rosamond Lehmann settles in a Berkshire village, seeking a lovers’ retreat, a refuge from war, and a means of becoming ‘a writer again’. Rural Hours tells the story of three very different women, each of whom moved to the country and were forever changed by it.

An account of the crimes of Arthur Shawcross describes how the paroled child killer shot, stabbed, suffocated, and strangled 16 Rochester, New York, prostitutes and examines how the legal system failed his victims.

County Kerry, Ireland, 1825. Nóra, bereft after the sudden death of her beloved husband, finds herself alone and caring for her young grandson Micheál. Micheál cannot speak and cannot walk, and Nóra is desperate to know what is wrong with him. What happened to the healthy, happy grandson she met when her daughter was still alive? Mary arrives in the valley to help Nóra just as the whispers are spreading: the stories of unexplained misfortunes, of illnesses, and the rumours that Micheál is a changeling child who is bringing bad luck to the valley.

'Any story that starts will also end.' As a writer, Ann Patchett knows what the outcome of her fiction will be. Life, however, often takes turns we do not see coming. Patchett ponders this truth as she explores family, friendship, marriage, failure, success and what it all means. Ranging from the personal to the sublime, each essay transforms the particular into the universal, letting us all see our own worlds anew.