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An essay by Edward Lucie-Smith explores aspects of the mysterious and private character of the renowned American society artist John Singer Sargent.

Discover the surprising literary and poetic history of the RMS Titanic! Imagine getting the inside, behind the scenes story of the Titanic tragedy written by those who did not survive - but whose poetry and short accounts of the moments leading up to the Titanic sinking did. The World Codex Planet Poetry publication encapsulates a snapshot of the era shortly after the turn of the 20th century and is a gem of historical maritime poetry.

In this study, Art, Poetry, and WW1 by Edward Lucie-Smith of writing, poetry, and painting in the centenary year of the outbreak of the First World War, the author considers the historical impact on the general psyche of the calamitous events, reflected in the expression of poets and visual artists. He establishes a continuity to the theme with reference to works by Velázquez, Watteau, Goya, and others, in their treatment of the spectacle of battle and the horrors of war and human conflict.

He was the shameful cause of his sister Elena's death, and he stole state papers from England, yet Adrian Hart is feted by the best of society in Rome and boldly dubs himself "Iago". Determined to avenge Elena, his unrequited love, Lieutenant Andrew Sullivan asks the advice of poet and Shakespearean John Keats and his artist friend, Severn. Soon, Percy Bysshe and Mary Shelley join them, then Lord Byron and his servant, Fletcher. But how can the seven of them work against this man when they can't even agree what he is?

This is a recorded conversation with Manchester-born artist Hughie O'Donoghue, first published in Cv Journal of the Arts v2/3 September 1989. He discusses his ideas about painting and evaluates key works such as Sleeper and recent landscape The Irish Sea.

Cv/VAR 102 documents Leviathan, a commissioned sculpture by Anish Kapoor for the Monumenta series at the Grand Palais, Paris. It records a press presentation at his London studio. The artist describes the project, with reference to scale models, and discusses 120 metre high Orbit in construction for the 2012 London Olympics. It then visits Leviathan installed at the Grand Palais in May 2011.