Showing results by author "Margaret Atwood" in All Categories

More than 15 years after the events of The Handmaid’s Tale, the theocratic regime of the Republic of Gilead maintains its grip on power, but there are signs it is beginning to rot from within. At this crucial moment, the lives of three radically different women converge, with potentially explosive results. Two have grown up as part of the first generation to come of age in the new order. The testimonies of these two young women are joined by a third voice: a woman who wields power through the ruthless accumulation and deployment of secrets.

The Republic of Gilead offers Offred only one function: to breed. If she deviates, she will, like dissenters, be hanged at the wall or sent out to die slowly of radiation sickness. But even a repressive state cannot obliterate desire - neither Offred's nor that of the two men on which her future hangs. Brilliantly conceived and executed, this powerful evocation of 21st-century America gives full rein to Margaret Atwood's devastating irony, wit and astute perception.

Featuring an all-new interview with Professor Piexoto, this exclusive bonus content also includes a brand-new afterword from Margaret Atwood and an essay written by author Valerie Martin.

Margaret Atwood’s The Robber Bride is inspired by The Robber Bridegroom, a wonderfully grisly tale from the Brothers Grimm in which an evil groom lures three maidens into his lair and devours them, one by one. But in her version, Atwood brilliantly recasts the monster as Zenia, a villainess of demonic proportions, and sets her loose in the lives of three friends.

The One State is the perfect society, ruled over by the enlightened Benefactor. It is a city made almost entirely of glass, where surveillance is universal and life runs according to algorithmic rules to ensure perfect happiness. And D-503, the Builder, is the ideal citizen, at least until he meets I-330, who opens his eyes to new ideas of love, sex and freedom.

Drawing on letters and diaries, some of which have never been published before, this book will reveal Jane Austen's bond with a family servant, the amateur playwright Anne Sharp, how Charlotte Brontë was inspired by the daring feminist Mary Taylor, the transatlantic relationship between George Eliot and the author of Uncle Tom's Cabin, Harriet Beecher Stowe, and the underlying erotic charge that lit the friendship of Virginia Woolf and Katherine Mansfield - a pair too often dismissed as bitter foes.

Margaret Atwood's classic novel, The Handmaid's Tale, is about the future. Now, in Oryx and Crake, the future has changed: it's much worse. The narrator of this riveting novel calls himself Snowman. When the story opens, he's sleeping in a tree, wearing an old bedsheet, mourning the loss of his beloved Oryx and his best friend Crake, and slowly starving to death.

Nominated for the Man Booker International Prize, 2007.
Laura Chase's older sister Iris, married at 18 to a politically prominent industrialist but now poor and 82, is living in Port Ticonderoga, a town dominated by their once-prosperous family before the First War. While bewailing her unreliable body and deriding those who try to help her, Iris reflects on her far from exemplary life and her perilous times, but in particular on the events surrounding her sister's tragic early death.

Female fiend? Femme fatale? Or weak and unwilling victim? Around the true story of one of the most enigmatic and notorious women of the 1840s, Margaret Atwood has created an extraordinarily potent tale of sexuality, cruelty and mystery. Sixteen years have passed since teenaged Grace was locked up for the cold-blooded murder of her employer, Thomas Kinnear, and his lover, Nancy Montgomery. Saved from the gallows where her alleged accomplice was hanged, Grace claims to have no memory of the events which changed her life forever.

A man-made plague has swept the Earth, but a small group survives, along with the green-eyed Crakers - a gentle species bio-engineered to replace humans. Toby, one-time member of the Gods Gardeners and expert in mushrooms and bees, is still in love with street-smart Zeb, who has an interesting past. The Crakers’ reluctant prophet, Snowman-the-Jimmy, is hallucinating; Amanda is in shock from a Painballer attack; and Ivory Bill yearns for the provocative Swift Fox, who is flirting with Zeb.

Pigs might not fly but they are strangely altered. So, for that matter, are wolves and racoons. A man, once named Jimmy, lives in a tree, wrapped in old bedsheets, now calls himself Snowman. The voice of Oryx, the woman he loved, teasingly haunts him. And the green-eyed Children of Crake are, for some reason, his responsibility.

Myrna, Leonie, and Chrissy meet every Thursday to sample fine cheeses, to reminisce about their former lives as professors, and lately, to muse about murder. Decades ago, a vicious cabal of male poets contrived—quite publicly and successfully—to undermine the writing career, confidence, and health of their dear friend Fern. Now, after Fern has taken a turn for the worse, her three old friends decide that it’s finally time to strike back—in secret, of course, since Fern is far too gentle to approve of a vendetta.

From fat girl to thin, from red hair to mud brown, from London to Toronto, from Polish count to radical husband - Joan Foster is utterly confused by her life of multiple identities. She decides to escape to an Italian hill town to take stock of her life. But first, she must organise her own death.

Amparándose en la coartada del terrorismo, unos políticos teócratas se hacen con el poder y, como primera medida, suprimen la libertad de prensa y los derechos de las mujeres. Esta trama, inquietante y oscura, que bien podría encontrarse en cualquier obra actual, pertenece en realidad a esta novela escrita por Margaret Atwood a principios de los ochenta, en la que la afamada autora canadiense anticipó con llamativa premonición una amenaza latente en el mundo de hoy.

From cultural icon Margaret Atwood comes a brilliant collection of essays - funny, erudite, endlessly curious, uncannily prescient - which seek answers to burning questions. In over 50 pieces, Atwood aims her prodigious intellect and impish humour at the world, and reports back to us on what she finds. This roller-coaster period brought the end of history, a financial crash, the rise of Trump and a pandemic.

Elaine Risley, a painter, returns to Toronto to find herself overwhelmed by her past. Memories of childhood - unbearable betrayals and cruelties - surface relentlessly, forcing her to confront the spectre of Cordelia, once her best friend and tormentor, who has haunted her for 40 years. An exceptional novel from the winner of the 2000 Booker Prize.

Sixteen years have passed since Grace was locked up, at the age of 16, for the cold-blooded murders of her employer and his housekeeper/lover. Her alleged accomplice in the crimes, James McDermot, paid the extreme sentence of the law and was hanged on November 21, 1843. But some thought Grace was innocent, and her sentence has been commuted to life imprisonment. After a spell in the Lunatic Asylum she now claims to have no memory of the murders.

Life is hard enough for a teenage girl in 1950s suburbia without having a mother who may—or may not—be a witch. A single mother at that. Sure, she fits in with her starched dresses, string of pearls, and floral aprons. Then there are the hushed and mystical consultations with neighborhood women in distress. The unsavory, mysterious plants in the flower beds. The divined warning to steer clear of a boyfriend whose fate is certainly doomed.

In pieces that are at once brilliant, beautiful and hyper-imagined, Atwood gives voices to remarkably drawn characters – mythological figures, animals and everyday people – all of whom have something to say about what it means to live in a world as strange as our own. ‘How can one live with such a heart?’ Atwood asks, casting her singular spell upon the listener, and ferrying us through life, death and whatever comes next. Walking the tightrope between reality and fantasy as only she can, Atwood’s journey through poetry illuminates our most innate joys and sorrows, desires and fears.

What is the role of the writer? Prophet? High priest of art? Court jester? Or witness to the real world? Looking back on her own childhood and writing career, Margaret Atwood examines the metaphors which writers of fiction and poetry have used to explain - or excuse! - their activities, looking at what costumes they have assumed, what roles they have chosen to play. In her final chapter she takes up the challenge of the title: if a writer is to be seen as "gifted", who is doing the giving and what are the terms of the gift?