Showing results by narrator "Hugh Fraser" in All Categories

An outbreak of kleptomania at a student hostel was not normally the sort of crime that aroused Hercule Poirot's interest. But then he saw the list of stolen and vandalized items: a stethoscope, some old flannel trousers, a box of chocolates, a slashed rucksack, and a diamond ring found in a bowl of soup. The list made absolutely no sense at all. But, reasoned Poirot, if this was merely a petty thief at work, why was everyone at the hostel so frightened?

Luke Fitzwilliam could not believe Miss Pinkerton's wild allegation that a multiple murderer was at work in the quiet English village of Wychwood, or her speculation that the local doctor was next in line. But, within hours, Miss Pinkerton had been killed in a hit-and-run car accident. Mere coincidence? Luke was inclined to think so, until he read in The Times of the unexpected demise of Dr Humbleby.

Dr. Arthur Calgary takes a ferry across the Rubicon River to Sunny Point, the home of the Argyle family. A year before, the matriarch of the family was murdered and a son, Jack, was convicted and sentenced to spend the rest of his life in prison. Dr. Calgary is surprised when his revelation has a disturbing effect on the family: it means one of the family is a murderer.

It is World War II, and while the RAF struggles to keep the Luftwaffe at bay, Britain faces an even more sinister threat from "the enemy within": Nazis posing as ordinary citizens. With pressure mounting, the Intelligence service appoints two unlikely spies, Tommy and Tuppence Beresford. Their mission: to seek out a man and a woman from among the colourful guests at Sans Souci, a seaside hotel. But this assignment is no stroll along the promenade.

Six short stories from the Queen of Crime, telling, amongst other things, of Pink Pearls and Sinister Strangers.Bonus Feature: Includes an exclusive Q&A session between Hugh Fraser and David Brawn, Publishing Operations Director at HarperCollins.Tommy and Tuppence Beresford were restless for adventure, so when they were asked to take over Blunt’s International Detective Agency, they leapt at the chance

All great crime writers have their favourite creations. Similarly, every great sleuth has his, or her, own preferred method of deduction. Take the charming Parker Pyne, who relies upon an intuitive knowledge of human nature to solve the 'Problem at Pollensa Bay'. Or Mr Satterthwaite, who seeks inspiration through his collaboration with the enigmatic Mr Quin in 'The Harlequin Tea Set' mystery. Then, of course, there's Poirot, whose measured analysis of motive and opportunity is tested to the full in 'Yellow Iris', when he receives an anonymous call about a matter of life and death.

Gipsy's Acre was a truly beautiful upland site with views out to sea, and in Michael Rogers it stirred a child-like fantasy. There, amongst the dark fir trees, he planned to build a house, find a girl, and live happily ever after. But as he left the village, a shadow of menace hung over the land, for this was the place where accidents happened. Perhaps Michael should have heeded the locals' warnings: "There's no luck for them as meddles with Gipsy's Acre."

As instructed, stenographer Sheila Webb let herself into the house at 19 Wilbraham Crescent. It was then that she made a grisly discovery: the body of a dead man sprawled across the living-room floor. What intrigued Poirot about the case was the time factor. Although in a state of shock, Sheila clearly remembered having heard a cuckoo clock strike 3.00. Yet, the four other clocks in the living room all showed the time as 4.13. Even more strange: only one of these clocks belonged to the owner of the house.

There's a serial killer on the loose, bent on working his way through the alphabet. And as a macabre calling card he leaves beside each victim's corpe the ABC Railway Guide open at the name of the town where the murder has taken place.

Mr Shaitana was famous as a flamboyant party host. Nevertheless, he was a man of whom everybody was a little afraid. So, when he boasted to Poirot that he considered murder an art form, the detective had some reservations about accepting a party invitation to view Shaitana's private collection.

Three single girls shared the same London flat. The first worked as a secretary; the second was an artist; the third, who came to Poirot for help, disappeared, convinced she was a murderer. Now there were rumours of revolvers, flick-knives, and blood stains. But, without hard evidence, it would take all Poirot's tenacity to establish whether the third girl was guilty, innocent - or insane.

What is the connection between a failed suicide attempt, a wrongful accusation of theft against a schoolgirl, and the romantic life of a famous tennis player? To the casual observer, apparently nothing. But when a houseparty gathers at Gull's Point, the seaside home of an elderly widow, earlier events come to a dramatic head. It's all part of a carefully paid plan for murder.

Agatha Christie’s classic thriller. Features the recurring character Colonel Race from Death on the Nile, Cards on the Table and The Man in the Brown Suit. Six people sit down to dinner at a table laid for seven. In front of the empty place is a sprig of rosemary – in solemn memory of Rosemary Barton who died at the same table exactly one year previously.No one present on that fateful night would ever forget the woman’s face, contorted beyond recognition – or what they remembered about her astonishing life.

The Leonides are one big happy family living in a sprawling, ramshackle mansion - until the head of the household, Aristide, is murdered with a fatal barbiturate injection. Suspicion naturally falls on the old man's young widow, 50 years his junior. But the murderer hasn't reckoned on the tenacity of Charles Hayward, fiancé of the late millionaire's granddaughter.

In a remote house in the middle of Dartmoor, six shadowy figures huddle around a small table for a seance. Tension rises as the spirits spell out a chilling message: "Captain Trevelyan...dead...murder."

To understand the strange goings on at The Pale Horse Inn, Mark Easterbrook knew he had to begin at the beginning. But where exactly was the beginning? Was it the savage blow to the back of Father Gorman's head? Or was it when the priest's assailant searched him so roughly, he tore the clergyman's cassock? Or could it have been the priest's visit, just minutes before, to a woman on her deathbed? Or was there a deeper significance to the violent squabble that Mark Easterbrook had himself witnessed earlier?

When the luxurious Blue Train arrives at Nice, a guard attempts to wake serene Ruth Kettering from her slumbers. But she will never wake again, for a heavy blow has killed her, disfiguring her features almost beyond recognition. What is more, her precious rubies are missing.

Poirot had been present when Jane bragged of her plan to "get rid of" her estranged husband. Now the monstrous man was dead. And yet the great Belgian detective couldn't help feeling he was being taken for a ride. After all, how could Jane have stabbed Lord Edgware to death in his library at exactly the same time she was seen dining with friends? And what could be her motive now that the aristocrat had finally granted her a divorce?

Major Hastings and Hercule Poirot are not interested in the case of the Spanish Chest, so obviously has it been reported in the papers that it seems an entirely closed book. But, when Hastings persuades Poirot to attend a rather fabulous party given by Lady Chatterton, there is someone sequestered upstairs waiting for the pair’s help. She’s so sure that there has been some great mistake and is desperate for their help. Will the contents of the dead man’s pockets reveal to the inscrutable eye of Hercule Poirot who the culprit is?

How did a woman holding a pistol in her right hand manage to shoot herself in the left temple? What was the link between a ghost sighting and the disappearance of top secert military plans? How did the bullet that killed Sir Gervase shatter a mirror in another part of the room? And who destroyed the "eternal triangle" of love involving renowned beauty, Valentine Chantry?