Showing results by author "Edward Smith" in All Categories

Once upon a... time there was a marvellous land of Snergs. Miss Watkyns, a teacher who loved children, lived there. Just over the river lived Golithos, a not so friendly giant, who also loved children – with a lot of salt! He had a friend called Mother Meldrum, the wickedest witch that ever lived. When Sylvia and Joe run away for a big adventure their lives are in deadly peril when they fall into the clutches of these two evil characters.

Over the span of 48 lectures, four experienced lawyers and teachers recreate key parts of the first-year law student experience, introducing you to main areas of law most every beginning student studies. Enriched with famous cases from the annals of American law and powerful arguments by some of history's most successful lawyers, these lectures offer access to an often intimidating, surprisingly accessible, and civically important field.

In this comprehensive biography, Jean Edward Smith reconciles conflicting assessments of Grant's life, arguing that Grant is greatly underrated as a president. Following the turmoil of Andrew Johnson's administration, Grant guided the nation through the post-Civil War era, overseeing Reconstruction of the South and enforcing the freedoms of new African-American citizens. His presidential accomplishments were as considerable as his military victories, for the same strength of character that made him successful on the battlefield also characterized his years in the White House.

The term avant-garde continues to be used, in my opinion with far too much frequency, in discussions of contemporary art. It derives, of course, from military terminology, and implies that the art to which it is applied is somehow ahead of the game. It’s worth taking a look at how this assumption works in practice. Essentially, Western and now world art has witnessed the emergence of a series of avant-gardes since just before the third quarter of the 19th century.

Explores the structure and development of the Pre-Raphaelite movement in the mid-19th century and works that figure among the most enduring and generally popular in British art. Renowned writer and art critic Edward Lucie-Smith contributes a study of the brotherhood of seven artists and their interconnection and intricate links with the social establishment of the time. James Cahill has a special interest in the movement, having studied Dante Gabriel Rossetti and Holman Hunt. He reviews a major exhibition of 150 works at Tate Britain launched in September 2012.

As a child, did you hide under your blankets when you were scared of the dark? After listening to some of the scariest stories from new and up-and-coming authors, we won’t blame you if you start hiding again. Take a journey with us into the twisted mind of horror. “The Fallout” travels through the unknown, while “Feast” will make you never want to love again. Listen to these and many more stories to know what it truly means to be afraid of the dark.

An essay by Edward Lucie-Smith explores aspects of the mysterious and private character of the renowned American society artist John Singer Sargent.

Rothko is now one of those mythical artists, an icon of 20th century creativity, the central figure in a tragic legend. Which means to say that one is pretty much compelled to agree that everything he did was wonderful, a manifestation of genius. I have to say that I find myself increasingly resistant to this approach. Some works by Rothko I do in fact respond to, with their glowing blocks of color.

A study of a later period album of drawings on the theme of old women and nightmares by Francisco Goya exhibited at the Courtauld Gallery London, with reference to his supernatural "Black Paintings".

This audiobook considers the magnetic poles of post-war modernism and the towering figures of Pablo Picasso and Jackson Pollock. The essay considers the history of French avant-garde art led by Picasso to the post-war years and the increasing dominance of American artists foregrounded by the advent of Abstract Expressionism in the 1950s.

Yayoi Kusama is now one of Japan’s best-known contemporary artists. She was the recipient of her country’s Praemium Imperiale for painting in 2006 - the most prestigious award Japan can offer to any painter, native or foreign. Her rise to fame has been unconventional, even by the standards of the art world of the 21st century, where eccentricities of all kinds pass without question.

The monograph publishes a study of Rembrandt van Rijn and JMW Turner at the National Gallery and Tate Britain in exhibitions of their later works.

There is a dark power in the galaxy working against the rise of civilisation, and the First Lensman is leading the way in the fight against chaos. By founding the Galactic Patrol, the Lensmen seek to unite the civilised beings of the galaxy and weld a star fleet of such stupendous power that the forces of darkness and chaos will be defeated.

The book that inspired the Star Trek franchise! With the exception of the works of H. G. Wells and Jules Verne, it has inspired more imitators and done more to change the nature of all the science fiction written after it than almost any other single work. The seminal space opera.

A study of Giacometti portraits at the National Portrait Gallery London and Frank Auerbach at Tate Britain.

Andrea Palladio is the most influential architect who ever lived - much more so than those heroes of the Modern Movement - Frank Lloyd Wright, Le Corbusier and Mies van der Rohe. It is significant that buildings we call "Palladian" are still being built today - for example, by the British architect Quinlan Terry. Palladio’s ideas were disseminated not only by his buildings, but also, even more effectively, by his writings, most notably by his didactic masterpiece, I Quattro Libri dell’Architettura (The Four Books of Architecture), published in 1570.

Prize-winning and best-selling historian Jean Edward Smith tells the dramatic story of the liberation of Paris during World War II - a triumph that was achieved through the remarkable efforts of Americans, French, and Germans, all racing to save the city from destruction.

Very seldom in London can a major show of modern and contemporary art at a highly respected national institution have received such universally negative reviews. As I write this, not all the verdicts on the Royal Academy’s exhibition of Modern British Sculpture have been delivered. However, it is already clear that the majority will be hostile. Paradoxically, it is this, more than any other factor, which makes it seem like an important event - a turning point if you like.

The new exhibition at Tate Britain celebrates one of the best loved of all British artists, the landscape painter, John Constable. In his own lifetime, Constable was constantly struggling to catch up with his great rival, J. M. W. Turner, whose astonishing fluency he could never match. Turner has maintained his fame, but, among the British at least, Constable is now more intimately loved.

The new exhibition at the National Gallery in London ought to be yet another triumph for an institution that is now running a very ambitious exhibition program. Yet this event makes a curiously uneasy effect. There are several, not just one, reasons for this. The first is that Rubens, of all great artists the one who enjoyed the greatest degree of worldly success, had distinctly uneasy beginnings. Of sound Flemish bourgeois stock, he was born in 1577 at Siegen in Westphalia.