In the latest episode of Talking Flutes, hosts Jean-Paul and Clare Southworth take us on an enlightening journey through the realms of intrinsic and extrinsic motivation, particularly in the context of musicianship. Whether you're a novice flute player or a seasoned professional, understanding what drives you is crucial to your growth and success.

The duo wastes no time diving into the topic at hand: intrinsic versus extrinsic motivation. Clare explains that intrinsic motivation is the drive to complete a task because it is inherently interesting or enjoyable, while extrinsic motivation is driven by external rewards.

Jean-Paul and Claire share personal anecdotes that highlight their early experiences with motivation. Jean-Paul recalls how his initial motivation to play the flute was to keep his mother happy and avoid her moaning at him. On the other hand, Clare's journey began with a genuine love for the instrument, spurred by her curiosity and the joy it brought her. These stories underline the complex interplay between intrinsic and extrinsic factors in a musician's life.

The discussion then shifts to the role of parents and teachers in nurturing motivation. Claire emphasises the importance of introducing children to various activities and allowing them to discover what they love. She argues that forcing a child to practice can create barriers, whereas encouraging their natural curiosity can lead to intrinsic motivation. Jean-Paul adds that a good teacher should create a balanced learning environment that fosters both intrinsic love for the instrument and extrinsic rewards for progress.

As the conversation progresses, they touch upon the challenges professional musicians face in maintaining intrinsic motivation. Jean-Paul shares his experience of realising that playing fast and impressing others was not the essence of music. Clare agrees, noting that true satisfaction comes from within and that musicians must constantly remind themselves of their initial love for the craft.

The episode also delves into the impact of social media on musicians' motivation. Clare points out that while social media can offer extrinsic validation, it often detracts from the unique experience of live performances. She warns against the pitfalls of constant comparison and encourages musicians to focus on their personal growth and intrinsic joy.

Towards the end of the episode, Jean-Paul announces a temporary pause in the podcast series, explaining that they plan to make their extensive library of episodes more accessible. This pause is an opportunity to rejuvenate and return with even more valuable content.

In summary, this episode of Talking Flutes is a treasure trove of insights into the motivations that drive musicians. Jean-Paul and Clare's candid discussion offers valuable lessons for anyone looking to understand the delicate balance between intrinsic and extrinsic motivation. So, whether you're a music student, teacher, or professional, tune in and get inspired to find your own musical motivation.

'Talking Flutes', 'Talking Flutes Extra', 'Bitesize' and 'Revisited' are podcast productions by the TJ flute company. For more information visit https://tjflutes.com

Unlocking the Magic of Your Flute’s HeadJoint

The head joint of a flute is often overlooked, but it plays a crucial role in defining the instrument's sound quality. In the latest episode of Talking Flutes Extra, Jean Paul Wright takes us on a fascinating journey through the world of flute head joints, revealing how this small component can make or break your performance.

Jean Paul begins by explaining that the head joint is essentially the flute’s voice box. It’s where your breath transforms into sound, and its design directly impacts your tone quality, articulation, and projection. While many flute players focus on embouchure, posture, and technique, the design and cut of the head joint are equally important.

The episode delves into the specifics of head joint design, particularly the embouchure hole and lip plate. Jean Paul explains that tiny adjustments in the embouchure hole's design can make an enormous difference in sound production. For instance, a sharper edge on the embouchure hole can create a more focused and penetrating sound, ideal for large ensembles. In contrast, a softer or rounded cut offers a warmer, more flexible tone, making it desirable for soloists.

The podcast also explores the evolution of head joint design from the Baroque era to modern times. Jean Paul takes us through historical milestones, highlighting the contributions of renowned flute makers like Louis Lot and Albert Cooper. Lot’s innovations in the 19th century, such as larger, more rectangular embouchure holes, allowed for greater projection and tonal brilliance. Cooper, on the other hand, revolutionised the head joint by experimenting with new shapes, balancing brightness with warmth.

'Talking Flutes' are podcast productions by the TJ flute company. For more information visit https://tjflutes.com

Finding the Perfect Flute: A Personal Journey

The quest for the perfect flute is a journey every flute player embarks on at some point. In our latest episode of Talking Flutes, we delve into why this journey is so deeply personal and why there's no such thing as a universally perfect flute.

The idea of a perfect flute is a myth. Each flute player has unique needs influenced by their embouchure, airstream, hand movements, and personal taste in music. These individual factors mean that what works brilliantly for one player might feel completely wrong for another. For instance, a headjoint that offers little resistance might be ideal for someone with a strong airstream but challenging for someone else.

Materials and design play a crucial role in how a flute performs. Silver, gold, platinum, and wood each offer unique sound qualities. But it's not just about the material; the grade of silver, the gold content, and even the design of the headjoint can drastically change how a flute sounds and feels. A solid silver flute might produce a bright, clear tone, while a gold flute might add warmth and resonance. Wooden flutes, with their natural resonance, are perfect for certain musical settings but require careful maintenance.

Choosing the right flute is not just a technical decision; it's an emotional one. This instrument will be your companion for years, an extension of your musical voice. It's essential to find one that resonates with you on a personal level. When trying out flutes, pay attention to how you feel when you play each one. Does it inspire you? Does it make you want to explore new musical ideas? These are critical indicators of whether a flute is right for you.

Tune into our latest episode of Talking Flutes to dive deeper into this topic and gain valuable insights into choosing the right flute for you. Happy playing!

Talking Flutes, Extra, Bitesize and Revisited pods are podcast productions by the TJ flute company. For more information visit https://tjflutes.com

Is this really that important?! To some apparently it is!

Hello, flute enthusiasts! This week on Talking Flutes, we dive into a topic that has sparked much debate within the flute-playing community: should we call ourselves flautists or flutists? Jean-Paul takes us on an engaging journey through the history, cultural context, and personal preferences that shape this ongoing discussion.

The origins of the terms flautist and flutist are as varied as the music we play. The word "flute" itself comes from the Latin "flatus," meaning blowing or breath, which is central to the instrument's identity. The term "flautist" first appeared in English literature in the early 19th century, derived from the Italian "flautista." This Italian influence was significant during a period when many English-speaking musicians looked to Italy for musical inspiration.

But why did we borrow an Italian term when "flutist" already existed? Some suggest that "flautist" added a sense of sophistication and prestige, reflective of the European classical tradition. Others believe it was simply a matter of style and preference.

Today's use of these terms varies by region. In the United States and Canada, "flutist" is overwhelmingly preferred, likely due to the American emphasis on linguistic efficiency. Major musical institutions like the National Flute Association have standardised this term. Across the pond in the United Kingdom, "flautist" is the term of choice, aligning with the British love for tradition and European musical terms.

In Australia and New Zealand, the British influence means "flautist" is more common, though American influences bring some variation. In South Africa, British English has historically dominated, making "flautist" more prevalent.

Interestingly, in non-English speaking countries, the term used is often a straightforward derivation of the word "flute," with less controversy. For instance, French speakers use "flûtiste," and Germans use "Flötist," both aligning more closely with "flautist."

So, why does this matter so much to people? For many musicians, the term they use is closely tied to their identity. In the classical music world, where tradition is paramount, calling oneself a "flautist" connects to the rich history of European classical music. Conversely, "flutist" feels more modern and accessible, appealing to those who find "flautist" elitist or pretentious.

The debate also has professional implications. In the US, using "flautist" might be seen as unusual, while in the UK, "flutist" might come across as overly Americanised. This choice can reflect broader questions of professionalism and authority within the flute community.

Ultimately, whether you call yourself a flautist, flutist, or simply a flute player, what truly matters is the music you create and the connection you make with your audience. Language evolves, and so do we as musicians. So, let's celebrate the diversity in our community and focus on what unites us: our love for the flute.

'Talking Flutes', Talking Flutes Extra', 'Bitesize' & Revisited' are podcast productions by the TJ flute company. For more information visit https://tjflutes.com

How to Build Confidence and Learn from Failure: Insights from Clare Southworth

In the latest episode of Talking Flutes, Clare delves into the intricate process of learning, improving, and maintaining confidence even when things go wrong. Whether you're a musician, an athlete, or anyone striving for excellence, the principles discussed in this episode are universally applicable.

Clare opens the episode by highlighting the importance of a positive mindset in the face of challenges. She emphasises that failure should not be seen as a setback but as a learning opportunity. "You're not failing, you're learning," she says, a mantra that resonates throughout the episode.

Drawing parallels between musicians and Olympians, Clare discusses how both groups undergo rigorous training, practice, and performance to achieve their goals. She notes that, like athletes, musicians must prepare meticulously, perform with focus, and debrief honestly to improve continually. The key stages of preparation, performance, and debrief are crucial for success in any field.

One of the most compelling parts of the episode is Clare's recounting of her experience at the America's National Flute Association's Young Artists competition. Despite facing discouraging remarks from a fellow competitor, she used the negativity as fuel to strengthen her resolve and ultimately win the competition. This story serves as a powerful reminder that mental strength and resilience are just as important as physical ability.

Clare also touches on the significance of mentorship and offers her services to any flute player needing guidance. She believes that sharing knowledge and experience is vital for personal and professional growth. Whether it's preparing for an audition, planning a career, or seeking specific practice techniques, having a mentor can make a significant difference.

As the episode concludes, Clare reiterates the importance of staying positive and using every experience as a stepping stone toward success. She encourages listeners to reach out for mentorship and support, emphasising that no one has to navigate their journey alone.

If you're looking to build confidence, learn from your mistakes, and achieve your best, this episode of Talking Flutes is a must-listen. Clare Southworth's insights and experiences offer invaluable lessons for anyone committed to personal and professional growth.

'Talking Flutes', 'Talking Flutes Extra', 'Bitesize' & 'Revisited' are podcast productions by the TJ flute company. For more information visit https://tjflutes.com

In the latest episode of our 'Revisited' podcast series, we had the pleasure of diving deep into the world of flute study books with the esteemed Elizabeth Walker. Alongside our host Clare Southworth, Elizabeth shared invaluable insights into how these books can transform your flute playing by honing your tone, finger technique, and articulation.

Why Study Books?

Study books are more than just pages of notes and exercises. They are essential tools that provide structured guidance and targeted practice to develop specific aspects of your flute playing. As Elizabeth aptly puts it, "Studies are so important because they help you develop your tone, your finger technique and articulation amongst many other things." By incorporating these books into your routine, you can systematically address and improve various technical challenges.

The Categories of Study Books

Elizabeth and Clare highlighted the importance of differentiating between various types of study books. Some are daily exercises focusing on technique and scale patterns, while others are more instructional, offering insights and wisdom from experienced players. There are also study books that double as pieces, providing musical extensions to your repertoire.

Among the daily exercise books, Moyes' "De la Sonorite" stands out as a timeless classic. Elizabeth shared her personal experience of attending a masterclass with Sir James Galway, who spent two hours on this book, leaving a lasting impact on her approach to tone development. Clare also praised the book for its simplicity and effectiveness, noting that it can be memorised and integrated into daily practice.

For those looking to explore new material, Philippe Bernard's "Le Sonorité, the Wind, the Sound" offers a fresh perspective. This book focuses on connecting notes through breathing and breath control, drawing parallels to legato singing. Elizabeth finds it resonates deeply with her, helping her students achieve flexibility and control in their playing.

The Role of Lockdown in Study Book Creation

Interestingly, the lockdown period has spurred a surge in the creation of new study books. With more time on their hands, teachers and musicians have been able to document their techniques and insights, resulting in a wealth of new resources. Claire and Elizabeth discussed how this period of reflection and creativity has led to the publication of valuable new study materials.

Choosing the Right Study Books

Selecting the right study books depends on your level and specific needs. Clare emphasised the importance of choosing books that are challenging yet not demoralising. It's crucial to find studies that stimulate progression without overwhelming you. For example, Moyes' "24 Little Melodious Studies" are excellent for beginners and advanced players alike, offering musical grammar, phrasing, and articulation practice.

Advanced players can benefit from more challenging books like Robert Dick's "Tone Development through Extended Techniques" or the "Paganini Caprices." These books push the boundaries of traditional flute playing, incorporating modern techniques and complex articulations.

The Importance of Integrating Studies

Ultimately, integrating study books into your practice routine can significantly enhance your overall playing. By addressing specific techniques and challenges before diving into repertoire pieces, you can improve your performance and musicality. Clare and Elizabeth's discussion underscores the value of disciplined, focused practice and the transformative power of study books.

Whether you're a beginner or an advanced player, there's a study book out there that can help you reach your full potential. Tune in to this week's episode to discover which books Clare and Elizabeth recommend and how you can incorporate them into your practice routine. Happy playing!

'Talking Flutes', 'Talking Flutes Extra', 'Bitesize' and 'Revisited' are podcast productions by the TJ flute company. For more information visit www.tjflutes.com

In the world of music, where precision meets passion, the shadow of burnout looms large. It's a condition that doesn't discriminate, affecting professionals from all walks of life, including musicians who turn their passion into their livelihood. I"Talking Flutes Revisited," host Clare Southworth and her guest, Dr. Joe, a psychiatrist, orchestrate a discussion on the all-too-familiar concept of burnout.

The podcast opens with a soothing invitation to join the conversation over a cup of tea—a metaphorical break for anyone who's felt the weight of their emotional reserves depleting. Dr. Joe delves into the intricacies of burnout, distinguishing it from its more immediate counterpart, stress. Burnout, he explains, is the long-term consequence of enduring stress without adequate recovery, whether stemming from work, personal relationships, or financial burdens.

Listeners are taken on a journey through the symptoms of burnout, categorised into four areas: high activation symptoms like irritability and restlessness, low activation symptoms such as fatigue and low mood, bad coping mechanisms including increased substance use, and physical manifestations like headaches and aches. For musicians, these signs might translate into a lack of motivation to practice, a decrease in performance quality, or a disinterest in previously enjoyed activities.

The episode strikes a chord with its discussion on the pressures of social media and the unrealistic expectations it can impose on artists. Claire reflects on her own experiences, highlighting the importance of mental health discussions in today's society, especially within the rigorous and often isolating field of music.

Dr. Joe doesn't just leave listeners with a diagnosis; he offers a treatment plan. He emphasises the importance of recognising burnout and engaging in open conversations about mental health. Identifying activities that deplete or replenish emotional reserves is crucial, as is finding joy in the craft again. Whether it's revisiting a beloved piece or focusing on a single bar that brings happiness, the key is to take small, manageable steps.

In a world that often prioritises success over well-being, this episode serves as a gentle reminder to care for oneself. Dr. Joe encourages finding balance through simple yet effective measures like sleeping well, eating healthily, and exercising. For those who need more support, he provides resources like Mood Juice and the Campaign Against Living Miserably.

By the end of the podcast, listeners are left with a sense of hope and a toolkit to navigate the complexities of burnout. The message is clear: you don't have to reach a breaking point to seek help or make positive changes. Whether you're a musician or not, this episode resonates with anyone who's felt the crescendo of stress in their lives.

So, take a moment, pour yourself a cup of tea, and listen to "Talking Flutes Revisited." It might just be the interlude you need to find your rhythm again.

'Talking Flutes', 'Talking Flutes Extra', 'Bitesize' and 'Revisited' are podcast productions by the TJ flute company. For more information https://tjflutes.com

In the world of music, innovation is the key to keeping the art form alive and evolving. This week, we revisit a transformative episode from 2020 featuring the incredibly talented electric flutist and author, Melissa Keeling. Join us on a journey that will forever change the way you perceive flute performance.

Melissa Keeling, a New York-based flutist, has been making waves with her unique approach to the flute, incorporating a specialised glissando head joint and various effect pedals to create sounds that are nothing short of revolutionary. In our conversation, Melissa introduces us to the glissando head joint, an invention by Robert Dick that has opened up new realms of possibilities for flutists.

Imagine hearing a flute that mimics the expressiveness of an electric guitar, complete with slides and bends. That's exactly what the glissando head joint allows. Melissa describes it as doing for the flute what the whammy bar does for the electric guitar, and the analogy couldn't be more accurate. This head joint consists of two tubes that slide in and out of each other, enabling the flutist to lower the pitch and create a variety of expressive sounds.

But Melissa's innovation doesn't stop there. She pairs the glissando head joint with looping and effect pedals, adding layers of complexity and depth to her performances. These tools allow her to create a rich tapestry of sound, transforming the flute from a monophonic instrument into a multi-dimensional powerhouse. In the episode, we get to hear some of Melissa's chosen works performed with this setup, showcasing her incredible versatility and creativity.

One of the highlights of our conversation is Melissa's discussion about her new book, "The Glissando Flute Handbook for Composers and Performers." This comprehensive guide is a must-have for any flutist looking to explore the capabilities of the glissando head joint. It covers everything from basic techniques to advanced applications, making it an invaluable resource for both beginners and seasoned professionals.

Melissa's journey with the glissando head joint began in a moment of serendipity. Inspired by a performance from Robert Dick, she knew she had found her musical voice. This head joint has not only expanded her musical expression but also inspired her to create original compositions that push the boundaries of what the flute can do.

In this episode, we also delve into the impact of social media and YouTube in spreading the word about such innovations. Melissa acknowledges that these platforms have been instrumental in allowing musicians to share their work with a global audience, thus accelerating the adoption of new tools and techniques.

So, whether you're a flutist, a music educator, or simply a lover of innovative music, this episode is a treasure trove of inspiration and knowledge. Tune in to hear Melissa Keeling's mesmerising performances and insightful discussions, and prepare to see the flute in a whole new light.

Listen to this full episode now and let the magic of the glissando head joint and effect pedals inspire you to explore new horizons in your musical journey.

Talking Flutes, Talking Flutes Extra, Bitesize & Revisited are podcast productions by the TJ flute company. For more information visit https://tjflutes.com