The voices of different characters put me off

If you can read the book just read it yourself. You won’t be able to concentrate by the noises of this audiobook.

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Brilliant!

Great narration of book. Engaging and interesting novel. Like nothing I’ve ever read before. Highly recommended!

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Good but lengthy

I was a bit annoyed by the voice of Mae Kasahara, but I think that was also the point of the character. If the story wasn’t this long, I would listen to it again to comprehend it better. Now it will probably take me a few years to start again. Would recommend!

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Had its moments

This is an over-long work and whilst it might cohere and carry cultural significance for a Japanese reader ir a reader or a student, it left me utterly confused as to what the author may have been trying to put across, and I doubt whether the problem could have been the translation which read perfectly well.

As for the reader: editors need to be aware that drastic changes of tone and volume, however in character, are unsuitable for those people living in close proximity to others: May,s shrieking and news commentator - not to mention the hideous Urakawa needed to be handled more sensitively by the recording engineer!

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Ruined by poor narration

Every female character is made to sound petulant and annoying. The story is fantastic and well paced, but the narration spoils the otherwise excellent dialogue.

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Intriguing

Some have mentioned they had an issue with the narration but I thought it was a wonderful performance. Murakami books are always so deliciously dreamlike and this is no different. I highly recommend it.

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Good story, narration irritating in places

This is the the third Murikami that I've listened to. I had high expectations as loved the previous ones. This one disappointed a little. I found the story too meandering places but there was enough of a strong plot to sustain my interest.

The principle narration is good - what really brings it down is when he voices other characters in the book. The irritating female voices destroyed (and some of the male) the experience for me. Indeed on some of them they were so grating that I would have to fast forward some of the longer sections of narration as it was too painful to listen to.

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brilliant novel - superb reading by Robert Degas

Other reviewers have complained about the female voices adopted by the reader, and at the outset I agreed - especially in respect of the voice given to May Kasahara. I continued to listen even so, and as the reading proceeded I came to think that Rupert Degas had done a superb job of characterising each and every character that features in this marvellous, moving, often surreal, sometimes laugh-out-loud funny, utterly engaging novel. I should say that Degas gave careful consideration to each of the voices so that, for example, irritating as May Kasahara's voice may be, it's entirely suitable to this fabulously wayward teenage girl. Ditto for the lazy drawl allotted to Nutmeg Akasaka, the rich, middle-aged, superbly dressed woman who helps Toru Okada acquire the hanging house.
I first read the book a good 20 years ago, soon after the English translation appeared. I had read several Murakami novels by that time, and I thought that The Wind-Up Bird Chronicle was definitely the best. Indeed it remains unsurpassed by any of his later novels, fascinating though they are. There's no doubt that this is a great addition to the Audible library.

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Narrator makes the characters hateable

Narrator ruined the book because his character voices were extremely annoying. On top of this it’s probably one of murakamis more challenging reads given that it’s very “Japanese” in its style which I do like but that combined with the ridiculous voices he’s given the women and the lawyer made this audio book excruciating to get through.

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Performance is amazing

So many voices, different tempo for each of them! May Kasahara’s voice is my favourite. You can picture young short minded teenage girl straight away. Lieutenant’s Mamia is my 2nd fav. Low and husky. The main character sounds like a boring person with some spectrum. The narrator starts quite slowly like a loose of the winding mechanism and then picks up the speed so it’s difficult to stop listening.

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