Showing results by narrator "Bryan Godwin" in All Categories

On Easter Sunday of 1919, Lady Lillian Assherton attempted to take her own life, a second time. Her first attempt was in the fall of 1917 when Her Ladyship, recently widowed, received news that both of her sons, officers in the Loyal North Lancashire Regiment, died at Passchendaele.

This story was first published in The Court and Society Review, in late 1887. The main character, Lord Arthur Savile, is introduced by Lady Windermere to Mr Septimus R. Podgers, a chiromantist, who reads his palm and tells him that it is his destiny to be a murderer. Lord Arthur wants to marry, but decides he has no right to do so until he has committed the murder.

This very short story was first published in The World, in May 1887. In the story, Lord Murchison recounts to his old friend a strange tale of a woman he had loved and intended to marry, but was now dead. She had always been very secretive and mysterious, and he one day followed her to see where she went, discovering her stealthily going to a boarding house. He suspected there was another man, and confronted her the next day. She confessed to having been there, but said nothing happened. He did not believe her and left; she died some time later.

First published in The World in June 1887. Hughie Erskine is in love and wants to marry, but the girl's father will not allow it, since Erskine has no money. Erskine's friend Alan Trevor is a painter, and he visits him at his studio one day to find him with a pitiable beggar-the model for his painting. Erskine only has one coin, on which he depends for transportation, but he decides he can walk for a couple of weeks and gives the beggar the coin.

He was not much more than a child. I estimated his age at fourteen. He was a handsome boy, with the raven-black hair and deeply tanned skin color that marks a person who came from the lands under the Raj. His young body was beginning to show the signs of an emerging well-made sportsman. From his place, lying on his back on the pavement, his dark-brown eyes stared up at the morning sky ... lifeless. Behind his head was a pool of blood, now darkened and congealed.

When a family from the United States buys Canterville Chase, they are told it is haunted by a horrible spirit, but this does not deter them in the slightest. Indeed, when they find a recurring blood stain on the floor, and hear creaking chains in the night, even seeing the ghost himself, all they do is clean up the blood and insist that the ghost oil his manacles if he is going to keep living in the house. This perturbs the ghost to no end, and he does everything he can to try to frighten the family.

Oscar Wilde (16 October 1854 - 30 November 1900) was an Irish poet and playwright. LONDON MODELS: Professional models are a purely modern invention. To the Greeks, for instance, they were quite unknown. Mr. Mahaffy, it is true, tells us that Pericles used to present peacocks to the great ladies of Athenian society in order to induce them to sit to his friend Phidias, and we know that Polygnotus introduced into his picture of the Trojan women the face of Elpinice, the celebrated sister of the great Conservative leader of the day.

Oscar Wilde (16 October 1854 - 30 November 1900) was an Irish poet and playwright. After writing in different forms throughout the 1880s, he became one of the most popular playwrights in London in the early 1890s. THE RISE OF HISTORICAL CRITICISM: This essay was written for the Chancellor's English Essay Prize at Oxford in 1879, the subject being 'Historical Criticism among the Ancients.' The prize was not awarded. To Professor J. W. Mackail thanks are due for revising the proofs.

THE ENGLISH RENAISSANCE OF ART: 'The English Renaissance of Art' was delivered as a lecture for the first time in the Chickering Hall, New York, on January 9, 1882. A portion of it was reported in the New York Tribune on the following day and in other American papers subsequently. Since then this portion has been reprinted, more or less accurately, from time to time, in unauthorised editions.

Oscar Wilde (16 October 1854 - 30 November 1900) was an Irish poet and playwright. After writing in different forms throughout the 1880s, he became one of the most popular playwrights in London in the early 1890s. HOUSE DECORATION: A lecture delivered in America during Wilde's tour in 1882. It was announced as a lecture on 'The Practical Application of the Principles of Aesthetic Theory to Exterior and Interior House Decoration, With Observations upon Dress and Personal Ornaments.' The earliest date on which it is known to have been given is May 11, 1882.

Oscar Wilde (16 October 1854 - 30 November 1900) was an Irish poet and playwright. After writing in different forms throughout the 1880s, he became one of the most popular playwrights in London in the early 1890s. LECTURE TO ART STUDENTS: Delivered to the Art students of the Royal Academy at their Club in Golden Square, Westminster, on June 30, 1883. The text is taken from the original manuscript. In the lecture which it is my privilege to deliver before you to-night I do not desire to give you any abstract definition of beauty at all.

Oscar Wilde (16 October 1854 - 30 November 1900) was an Irish poet and playwright. After writing in different forms throughout the 1880s, he became one of the most popular playwrights in London in the early 1890s. ART AND THE HANDICRAFTSMAN: The fragments of which this lecture is composed are taken entirely from the original manuscripts which have but recently been discovered. It is not certain that they all belong to the same lecture, nor that all were written at the same period. Some portions were written in Philadelphia in 1882.

This book sets out as forcibly and exactly as possible the religious belief of the writer. That belief is not orthodox Christianity; it is not, indeed, Christianity at all; its core nevertheless is a profound belief in a personal and intimate God. There is nothing in its statements that need shock or offend anyone who is prepared for the expression of a faith different from and perhaps in several particulars opposed to his own.

The story involves a mine that uncovers a very deep chasm, too deep for any sounding lines to hit bottom. The night after the discovery of the abyss the narrator and one of the mine's workers, a Mexican called Juan Romero, venture together inside the mine, drawn against their will by a mysterious rhythmical throbbing in the ground. Romero reaches the abyss first and is swallowed by it. The narrator peers over the edge, sees something - "but God, I dare not tell you what I saw!" and loses consciousness. The next morning, the narrator and the deceased Romero are both found in their bunks.

While riding his bicycle in the Miskatonic Valley of rural New England, a genealogist seeks shelter from an approaching storm. He enters an apparently abandoned house, only to find it occupied by a "loathsome old, white-bearded, and ragged man", speaking in "an extreme form of Yankee dialect... thought long extinct." The narrator notices that the house is full of antique books, exotic artifacts, and furniture predating the American Revolution. At first, the old man appears harmless and ignorant towards his guest. However, he shows a disquieting fascination for an engraving in a rare old book.

The Whisperer in Darkness is a 26,000-word novella by American writer H. P. Lovecraft. Written February-September 1930, it was first published in Weird Tales, August 1931.[1] Similar to The Colour Out of Space (1927), it is a blend of horror and science fiction. Although it makes numerous references to the Cthulhu Mythos, the story is not a central part of the mythos, but reflects a shift in Lovecraft's writing at this time towards science fiction. The story also introduces the Mi-Go, an extraterrestrial race of fungoid creatures.

"The Unnamable" is a horror short story by American author H. P. Lovecraft. It was written in September 1923, first published in the July 1925 issue of Weird Tales, and first collected in Beyond the Wall of Sleep. The corrected text appears in Dagon and Other Macabre Tales, (revised ed, 1986). The story's locale was inspired by the Charter Street Historic District Burying Ground in Salem.

"The Thing in the Moonlight" is a short story by J. Chapman Miske. The story is based on a letter dated November 24, 1927, from H. P. Lovecraft to Donald Wandrei describing one of Lovecraft's dreams. The story was prepared for publication by Miske, who filled in the story surrounding the description of the dream. In places, the letter and published story are identical to Lovecraft's style. It was first published in Bizarre magazine on January 1941.

"The Tomb" is a fictional short story by American writer H. P. Lovecraft, written in June 1917 and first published in the March 1922 issue of The Vagrant. It tells the story of Jervas Dudley, who becomes obsessed with a mausoleum near his childhood home.

"The Shunned House" is a horror fiction novelette by American author H. P. Lovecraft, written on October 16-19, 1924. It was first published in the October 1937 issue of Weird Tales.