Showing results by narrator "Zehra Naqvi" in All Categories

The long-dreaded war between Britain and France has finally begun. French soldiers have landed on English soil, and the British Army - and the Royal Sorcerers Corps, led by Lady Gwen - is moving to meet them. But when an inexperienced major disobeys her orders and sends two hundred hussars to their deaths, Gwen accidentally uses her magic to permanently damage his mind and sparks a political crisis at the worst possible time. In the aftermath of the battle, Lord Mycroft suggests she leave Britain and head to the North American colonies.

It's 1831, and Lady Gwendolyn Crichton has been appointed royal sorceress following the tragic events known as the Swing. Now alone at the head of the Royal College of Sorcerers, Gwen must overcome prejudice against her gender and age if she is to exercise her authority and fulfill her responsibilities. Soon, an unexpected responsibility is made manifest when Sir Travis Mortimer, a senior magician recently returned from India, is found murdered in a locked room.

G'day. I'm still here. Still Pet. Well, I'm only two thirds of a Pet these days, but you might as well call me Pet anyway. Everyone does: everyone but the vampire, that is. Life is more unbalanced these days - cases are cutting closer to home than usual. I thought I was the only one, but there are others like me: kids whose parents were murdered just like mine. Stuff that never fit into place before is beginning fall into place.

Life is complicated. I mean, life has always been complicated, but there's a difference between monsters-are-trying-to-kill-you complications and monsters-are-in-love-with-you complications. I'm still not sure which is more dangerous. G'day. I'm Pet. Two-thirds of a pet, anyway: The vampire isn't claiming ownership these days, but he's definitely encroaching. On the list of other encroaching complications is the threat of heirling trials, a certain fae lord, and a mysterious librarian - not to mention the thing that's killing people on Hobart's waterfront....

Two fae is company, but a company of fae is trouble. Which is exactly what we've got. Trouble, I mean. Well, and fae. Lots of fae. Something or someone is stalking and killing high-level fae around Hobart-tearing out hearts and leaving a trail of bloody bodies behind. Fae don't like it when they're the ones getting killed, so of course they came to hire my owners. Owners, you ask? Hi. I'm Pet. No, that's not my name. I am a pet. My owners? They're fae. Well, two fae and one stroppy vampire. Welcome to the world Between.

G'day. I'm Pet. Not, not Pet - I am a pet. Well, I was a pet: I used to belong to two fae and a stroppy vampire. Now I'm homeless. I mean, I was always technically homeless, but this time it's different. I just got used to having some kind of family, and now we're back to everyone wanting to kill each other - and guess who the weak link is? I'll give you a hint: it's not the vampire, and it's sure as heck not the fae.

Blackwood Bay. An ordinary place, home to ordinary people. It used to be a buzzing seaside destination. But now, ravaged by the effects of dwindling tourism and economic downturn, it’s a ghost town - and the perfect place for film-maker Alex to shoot her new documentary. But the community is deeply suspicious of her intentions. After all, nothing exciting ever happens in Blackwood Bay - or does it? Blackwood Bay. An ordinary place, home to an extraordinary secret.

No one ever expected Catriona Menzies-Pike to run a marathon. She hated running and was a hopeless athlete. But a decade after her parents died suddenly, she started running and found that her grief started to move, too. Until very recently it was frowned upon for women to run long distances. Running was deemed unladylike - and probably dangerous.

Families are going missing in the city, and investigative operative Carmella Hunter has been tasked to find them. With the public eye on her every move, Carmella must work against a ticking clock to locate the missing humans. When the evidence begins to point to an entirely alien and sinister plot, the government agency Carmella works for is forced to change strategy. Now, Carmella and her friends must go undercover in the hopes of becoming the next victims. But will the kidnapper take the bait? And if he does, will Carmella and her friends make it out alive?

If you're a woman, especially a woman of color, you know this already: You face unique challenges and obstacles as you work to scale the corporate ladder. From not seeing other faces in the room that look like you to dealing with the stereotypes and (often unconscious) biases in the workplace, you may know what to do to succeed, but not how to get it done in this environment. Show Your Worth shows you how. Shelmina Babai Abji speaks directly to professional women about how the power of being intentional and strategic can help transform the headwinds you face into tailwinds.

G'day. I'm not really a pet anymore, but you might as well keep calling me Pet. It's not like I'm gunna tell you my name anyway. And if I sound stroppy, well, I am. First, I was threatened. Now, someone has cut off my house from the human world and left my emotional support vampire on the human side. On the inside, it's just me and an emotionally compromised fae; outside, a closed arena in the world Behind, where everyone is out to kill us and a few of that everyone might actually be capable of it.

I have a lot of names these days—including my own, real name. Unfortunately for me, someone else knows that name too; not to mention the names of my other heirling friends. Now those heirling friends have disappeared, stolen by the current King Behind for a fight to the death where only one contender to the throne remains.

The Royal Sorceress, Lady Gwendolyn Crichton, will be responsible for the Empire's magical resources when the time comes. Still struggling to overcome prejudice within the Royal College of Sorcerers, she has at least earned the gratitude of much of the aristocracy, if not their respect. Just when Gwen needs to be firmly focussed on training new sorcerers, her adopted daughter Olivia, the only known living necromancer, is kidnapped.

Detective Inspector Sara Nayar is a goddess. Literally. A Hindu goddess accidentally brought to England during Queen Victoria's reign. Working now as a police detective, Sara survives on humanity's innate faith in law and order. Sheffield is a city of many gods, however, and when Sara witnesses a murder, she knows the perpetrator is divine. As a goddess of order, she must solve the crime before the god can kill again, but thousands of years living as a human has left her spiritually weak.

There's a body beneath the skip bins. Fae on the forklift. A vampire in the manager's office. And there's definitely something skeevy going on in the locker rooms. Hi. I'm Pet. Well, not exactly Pet. I am a pet. I was meant to stay out of it, but somebody's gotta do something when humans are being killed by Behindkind creatures.

Disgrace is the first truly global history of sexual violence. The book explores how sexual violence varies widely across time and place, from nineteenth-century peasant women in Ireland who were abducted as a way of forcing marriage, to date-raped high-school students in twentieth-century America, and from girls and women violated by Russian soldiers in 1945 to Dalit women raped by men of higher castes today.

After the campaign in the Summer Isle, Isabella rides out the winter storms by studying the godly magic under Mother Lembu, in the process learning about the origins of the old gods. Crown Prince Reginald receives word that his father the King is ill and his sister Princess Sofia, acting as regent, is imposing a regime that is strangely similar to what had been happening on the Summer Isle - nobles killed, temples smashed, enforced public worship of old gods.

A kingdom of shadows. A soldier sworn to protect. A princess silenced by love. Plagued by her mother's matchmaking attempts, Princess Lily, the eldest of 12 sisters and heir to a mighty kingdom, struggles to prove herself worthy of her inheritance while avoiding the attention of unwanted admirers. Tradition forbids marriage with the man she loves, so she would rather rule alone than marry someone who only wants the crown.

After years of inconclusive war, the Franco-Spanish Empire is on the verge of collapse. The military is coming apart, the people are starving, the economy is on the brink . . . and yet, as long as the crown keeps tight control of its magicians, all hope of revolution and victory remains faint. The secret police are in control, rebel magicians are hunted down and eliminated before they can pose a threat and, worst of all, the government has found a new way to enhance magical power. The situation seems dire. But with a little help, there may be a chance.

Carmella's obligation to the djinn is over, so why does the world feel a little bleaker? There's barely time to ponder before a horrific massacre leaves her in charge of her first case with the IEPEU. Under the watchful eye of the organization's top investigator, and with the help of her friends, Carmella must uncover the identity of the creatures behind the attack and expose the person pulling their strings. If that wasn't enough, her asura power chooses this case to surge to the surface. Now Carmella must quickly learn to master a force bigger than she could ever have anticipated.