The Safekeep
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Narrated by:
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Saskia Maarleveld
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Stina Nielsen
About this listen
Brought to you by Penguin.
SHORTLISTED FOR THE BOOKER PRIZE 2024
An exhilarating tale of twisted desire, histories and homes, and the unexpected shape of revenge - for readers of Patricia Highsmith, Sarah Waters and Ian McEwan's Atonement.
It is fifteen years after the Second World War, and Isabel has built herself a solitary life of discipline and strict routine in her late mother's country home, with not a fork or a word out of place. But all is upended when her brother Louis delivers his graceless new girlfriend, Eva, at Isabel's doorstep - as a guest, there to stay for the season…
In the sweltering heat of summer, Isabel's desperate need for control reaches boiling point. What happens between the two women leads to a revelation which threatens to unravel all she has ever known.
'A thrilling, razor-sharp, perfectly plotted debut novel' Sunday Times
'Moving, unnerving and deeply sexy' Tracy Chevalier, bestselling author of GIRL WITH A PEARL EARRING
'A brave and thrilling debut about facing up to the truth of history, and to one's own desires… Van der Wouden brings stunning power and control to her page-turner about trauma and repression' Justine Jordan, Booker Prize Judge 2024
Critic reviews
'Surprising, chilling, and electric. The safekeep is a simply fantastic work of literature.' Alice Winn, bestselling author of IN MEMORIAM
What listeners say about The Safekeep
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Lesley
- 19-07-24
A Great story.
I, sort of, could see where this was heading but the journey was amazing. Tastefully written and beautifully descriptive.
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- PaulT Edinburgh
- 05-10-24
Superb, seductive storytelling
Builds slowly before the interior world of the two female characters explodes into a wider panorama of post-war Dutch life in the shadow of the Second World War. Beautifully written and read. Would be very surprised if this does not become a major movie a streaming series.
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- Anonymous User
- 29-08-24
amazing performance for an amazing book
10/10 for story and 10/10 performance. would 100% recommend. go in blind though
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- David M
- 17-08-24
Thought provoking
Great piece of work, much more to it that it seemed during the first couple of hours. Stick with it.
Easy to follow, not too many characters. Quite a work of art, very original and worthy of a prize I think.
At the beginning we hear about three siblings; Isabel, Henrik, and Louis. Their parents are deceased, and the backdrop of the story revolves around their parents' house "The Safekeep", and what will happen to it. Moreover, it is about relationships between the three siblings and their own relationships with partners outside the family. (Some rather graphic lesbian sex scenes!)
The story was specifically set in The Netherlands, but Penguin chose to use actors with American accents. That spoilt it a bit. Why not use Dutch actors?
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1 person found this helpful
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- amy hobson
- 11-11-24
Beautiful and painful
I was gripped from the very start. So many layers of human vulnerability and strength written and performed with powerful conviction
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- Amazon Customer
- 29-05-24
Wow wow wow wow wow wow wow
I’m telling you right now this book is going to win awards. That little synopsis does not do the book justice. It’s a sapphic love story, it has a great structure the diary in part 3 just wraps this book up in a great bow.
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- Debi Bester
- 24-10-24
Redirect and rich prose.
An eye-opening reframing of small town cultural conflict during and especially after WW2 in the Netherlands.
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- Billy
- 06-11-24
Beautiful story
Wonderful story, deeply felt and written. Highly recommend. A beautiful story for all the ages.
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- Squeekymcsqueek
- 01-10-24
A beautifully written story
Wonderful narrator, beautifully written love story with some history and suspense. I loved every word. It deserves to win the Booker
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- Christopher Hegan
- 02-10-24
Richly gruelling. Fabulous.
I've about done holocaust-related literature but this one was a worthwhile exception, especially as that aspect of the tale was slowly, delicately unveiled after being obliquely hinted at early in the narrative. Finally van der Wouden points the accusatory finger directly at her Dutch compatriots, all the more effectively as she does it long after she has engaged our sympathies with the characters. Did you know - I didn't - that after the war the Red Cross from all the allied nations retrieved and rehabilitated their occupants of the camps? All except the Dutch, who left them there long after the others were gone. Perhaps this casts light on the recent emergence of the hard right as a power in Dutch politics. But even without this issue, this story towers above its contemporaries for the brilliance of its characterisations, the punch of its narrative. Simply brilliant. Narration likewise.
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