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The Mongoliad: The Foreworld Saga, Book 1

By: Neal Stephenson, Erik Bear, Greg Bear, Joseph Brassey, Nicole Galland, Cooper Moo, Mark Teppo
Narrated by: Luke Daniels
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Summary

In the late 19th century, a mysterious group of English martial arts aficionados provided Sir Richard F. Burton, well-known expert on exotic languages and historical swordsmanship, a collection of long-lost manuscripts to translate. Burton’s work was subsequently misplaced, only to be discovered by a team of amateur archaeologists in the ruins of a mansion in Treiste.

From Burton's translations and the original source material, the epic tale of The Mongoliad was recreated. The story chronicles the journey of a small band of warriors and mystics as they fight to save Europe from the Mongol invasion of the thirteenth century. It also exposes the secret workings of powerful clandestine societies that have been driving world events for millennia.

This fascinating and enthralling first novel in The Mongoliad trilogy fuses historical events with a gripping fictional narrative. Co-written by Neal Stephenson, Greg Bear, E. D. deBirmingham, Mark Teppo, Joseph Brassey, Erik Bear, and Cooper Moo, The Mongoliad: Book One is an unforgettable epic.

©2012 Greg Bear, Neal Stephenson, E. D. deBirmingham, Mark Teppo, Joseph Brassey, Erik Bear, and Cooper Moo (P)2012 Brilliance Audio, Inc.
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What listeners say about The Mongoliad: The Foreworld Saga, Book 1

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Very good!! Highly recommended!!

I enjoyed every moment of it, looking forward to listening to the next book. Thanks.

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  • Overall
    4 out of 5 stars

Lifestyle Saga

Interesting lifestyle saga about the Mongoloids. Historical fiction. Starts to fill in a details of a forgotten and unrecorded time.

Well woven storyline.

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  • Overall
    5 out of 5 stars

The Mongoliad Trilogy part 1

I enjoyed listening to Part 1 of the Mongoliad so much that I immediately started back at the beginning again and listened right through for a second time.

The book describes life under the Mongols, led by the Khan family, and in particular Ogudai Khan, the Khan of Khans (or Coggin), and hints at the problems that born fighters face in maintaining the empire which was won by Gengis Khan. Life is savage, and there are many people who would like to destroy the Mongol empire.

The story has three strands: there's a small group of European knights (the Shield Brethren) , skillful fighters who are heading towards Karakoram to kill Ogudai Khan, and on the way they must evade or fight Mongol warriors and other Christians, and make alliances with other individuals and groups. There's a pair of fighters who are employed to amuse another Mongol chief but who are considering changing sides to kill him, and there is the household of Ogudai Khan at Karakoram. He is continually drunk and losing his grip on reality, because he longs for the simple life on the open plains rather than managing a retinue of sycophants, but his behaviour is losing him the respect of all who know him. Ogudai's brother has sent a young warrior (Gansuk) to Karakoram with instructions to limit the Coggin's drinking; he is being schooled in the ways of life at court by a pretty Chinese slave, who would like to escape but is worried about what would happen to Gansuk. Each of these strands is telling an interesting story, but all the characters are still in the middle of their exploits, none of them has come to a point of conclusion or achievement when the book suddenly ends, so the reader is left with an enormous cliff-hanger!

The narrator is very good at putting different voices to the many characters, and this helps to add colour to the narrative.

I'm very much looking forward to the next parts of the trilogy, and hope it won't be too long a wait.

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5 people found this helpful

  • Overall
    1 out of 5 stars

Not the gripping epic I was led to believe!

I was dubious about a book co-written by several authors but I am familiar with and love the work of Neal Stephenson so gave it a shot. There is some merit to the story but not much. It does not have the believable historic credibility that Stephenson's Cryptonomicon has. The characterisation is very weak and leads to no feeling of empathy or interest in the outcome of the characters' actions.



I think I detected Stephenson's hand in the description of some of the fighting - he is masterful when describing the technique of swordplay and the detail of the equipment. Apart from that, it was all pretty hum drum, long-winded and wearisome.

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6 people found this helpful