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How to Make Your Script Better than the Rest

Tips and Tricks for Writing and Revising Screenplays

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How to Make Your Script Better than the Rest

By: Kathy McCullough
Narrated by: D. Paul Faulkner
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About this listen

Your screenplay is good, but in the competitive entertainment business, “good” is no longer good enough. In How to Make Your Script Better than the Rest, writer and veteran Hollywood story analyst Kathy McCullough offers specific advice for tackling the most common problems that pop up in scripts sent to agents, production companies, and writing contests. The book zeroes in on specific issues, such as:

  • How to increase the tension and conflict in each of your scenes
  • How to make sure you have a story and not just a situation
  • How to understand the difference between a twist and a complication
  • Why “cause and effect” in your plot is so important

The book also offers advice on brainstorming, dealing with feedback, and includes a section devoted to “insider information”, such as what goes into a coverage report and what contest judges look for when they read a script. Many of the essays apply to writing novels and plays as well.

Kathy McCullough spent more than 20 years working in development in Hollywood, covering scripts for dozens of companies including Imagine Entertainment and HBO Films. She’s been a judge for many well-known screenwriting competitions and co-owned a script consulting company for several years. This book is based on her experience reading literally thousands of scripts and giving notes to writers in order to help them make sure their screenplay is not only good, but “better than the rest”.

©2021 Kathryn McCullough (P)2021 Kathryn McCullough
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Critic reviews

"Like having a script-doctor on call 24/7." (Michael Tester, writer of Most Likely To)

"Incredibly approachable and useful...McCullough comes off like an inner Mary Poppins: supportive, light hearted, and kind, who has seen every pitfall before and knows just where they keep the ladders." (Austin Bunn, author of The Brink and screenwriter of Kill Your Darlings)

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Hidden gem

I've read McKee, Hauge, Field, Walters, Iglesias, Snyder, all of them. I've taken courses also. And so, I wasn't expecting much, especially with the basic cover and wordy title. But I was surprised.

I could quickly tell this was written by someone with industry experience. Many sources of advice are copy-and-paste, not much new. This had nuance. For example, even in the boring quick section about formatting, the author suggested avoided using character names that rhyme with each other in any way. Most books warn against using the same first letter for characters, but none have said this. It takes a former reader to pick-up on such details.

The sections on structure, dialogue and scene tightening are also nuanced, with guidelines that encourage freedom while staying sellable.

This really is a decent book. It's under 5 hours and dense. As in, not much time is spent waffling. Again, that's a trait of someone who knows the industry. I'd say it's useful for intermediate and advanced writers, as beginners would miss out on certain basics. She's clearly aimed it at those who are already working on a script. Having said that, beginners could still benefit, as the language is clear. And speaking of language, the only slight downside is the narrator. He has a good voice, but some of his delivery is staccato, or stop-start. Perhaps he thought readers would struggle to understand certain phrases. It's no deal-breaker though, and can easily be fixed by playing it at 1.1 or 1.2 x speed.

Well done, Ms McCullough.

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