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Circle of Hope
- A Radical Mission; A Riveting Crisis; The Future of Faith
- Narrated by: Jennifer Pickens
- Length: 11 hrs and 57 mins
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Summary
"Lyrical, probing, and deeply reported, this is an extraordinary account ." ― Patrick Radden Keefe, author of Empire of Pain
"Eliza Griswold is a dazzling reporter: ever observant, wise, sympathetic, and honest. And in this spellbinding book." ― David Grann, author of Killers of the Flower Moon and The Wager
"A sharply contemporary book, painfully honest, stubbornly hopeful." ― Archbishop Rowan Williams, author of Passions of the Soul
"That rarest of books: an examination of the sacred and spiritual realm captured with humor, humanity, and style."― Susan Orlean, author of On Animals
Although most evangelicals have their sights firmly set on salvation in the afterlife, one extraordinary church in Philadelphia is designed to fight for progress and dedicated to social justice in this life. Over forty years, Circle of Hope grew from one family to four congregations battling for equality among the sexes, an end to racial discrimination, and offering hope to believers of all kinds - from outcasts to addicts - in its radical mission to improve the world.
Then, rocked by many of the same issues facing society at large, from MeToo to Black Lives Matter, Circle of Hope is forced to confront its own mistakes, plunging the community into existential crisis.
Building on years of deep reporting, Pulitzer Prize-winner Eliza Griswold paints an intimate portrait of pastors and church members' desperate wrestling to find a way to remain together despite their dividing truths.
Through generational rifts, an increasingly politicised religious landscape, a pandemic and a rise in foundation-shaking activism, Circle of Hope tells a propulsive, layered story of what we do to stay true to our beliefs. It is a soaring, searing examination of what it means for a community to love, to grow, and crucially to disagree.
What listeners say about Circle of Hope
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- Glenn Myers
- 08-11-24
Beautiful sad book
I've been a fan of Eliza Griswold since the first book of hers that I met, a travelogue along the parallel in Africa where Muslim and Christian worlds overlapped. I fell rather in love with her writing and was delighted to see her again, and to learn she'd won a Pulizer prize in the years since, no doubt deserved. I had to think for less than two seconds before buying this book.
Circle of Hope is a piece of immersive journalism about four pastors who jointly led a multi -congregational church of the same name.
Eliza Griswold delves into this progressive evangelical outfit with a delicate, watchmaker's precision, helped both by the generosity of the pastors, and by the churches' incontinent, and honestly rather navel-gazing, habit of airing all its thoughts to the entire church on every type of social media. The result is a kind of MRI scan of the church's innards. It's beautiful and elegantly done. One wonders, despite all the care she took to write it, what damage it has done to the church: so easy to dismantle that which we love.
But seeing this finely composed scrutiny gives us all the chance to think our own thoughts about this sputtering candle of a church (as are all churches, of course). Anabaptists bash each other with pillows, and grace, but still get battered. At times the church seemed almost to veer towards a kind of cultural revolution over the Black Lives Matter movement: counter-revolutionaries were obliged to make lengthy confessions of their faults; people of colour who disagreed with the prevailing narrative were not given their due weight. The church's dogged progressivism weighed on it: everyone had therapists. They called in an outside expert to examine their attitudes (spoiler: much churning and then he collects his fees and resigns). I wonder if Jesus stopped being at the centre of the Circle of Hope at times and other good things took his place.
Lovely book, thoughtfully read with just a few slips. Keep writing, Eliza. But I (a white churchgoer in another country) found it sad and poignant because of the story it told.
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