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Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

It’s 1968 and it’s cold when Felicity arrives in London to stay with her mother, improve her English, do a secretarial course - and meet a suitable man. She is already missing her home in Provence and her father and his new wife and their extended family. But it’s only for a year she tells herself - and then she can go back to France and do what she really wants and become a painter. And then she bumps into Oliver who is quite the most interesting young man she has ever met.

Joybird Martin—an Uber driver with cheerfulness to spare—desperately wants to be a life coach. She’s so sunny about her chances that even her snarky father—a has-been TV writer with a failed third marriage—can’t dim her light. So when he shows up broke on her doorstep, Joybird takes him in with no questions asked, trying to find a balance between her bright optimism and his sarcastic pessimism. It works, and she continues sharing her earnest wisdom with her Uber riders.

Life can change in a damn instant. I should know that. Mine did the moment I walked through the front door of my penthouse and found Danica on her hands and knees cleaning. One look—that's all it took. I saw her and I wanted her on her knees for an entirely *different* reason.

Detective Lola is heading back over the river from a rare night out when she spots a crowd of people looking over the parapet. Someone’s gone in. A young man called Cammy witnessed everything. He swears it’s the work of the Clyde Pusher, but is terrified of the police. The Clyde Pusher is the stuff of urban legend. A hooded figure who throws men into the river to drown. Eight victims in five years. But according to the police, the Pusher doesn’t exist. There are no reliable witnesses, nothing to link the victims.

Set against an eventful decade that included the soap opera of five Prime Ministers plus Brexit and Covid, Consider Yourself Kissed puts the subjects of love and family on a grand stage, showing how the intimate dramas in our homes inescapably compete for energy and attention with the shared public dramas of our times. Told over ten years of one woman’s life, Consider Yourself Kissed is an unforgettable literary love story which effortlessly balances sweetness with bite, the public with the personal, and humour with heart.

Linda makes $20 an hour as a content moderator, flagging comments that violate a tech conglomerate's terms and conditions. Each night, she returns to the windowless room in a garage that she rents from a family who pretend she isn't there. But once a month, she escapes to San Francisco International Airport for clandestine meetings on the cheapest flight out that night. It's not pilots but planes that draw her there, with their intelligent windscreens, comely slats and playful turbulence - a trip on a Boeing 737 makes her feel a way that no man ever could.

Max is thirty, a published poet and grossly overpaid legal counsel for a tech company. She’s living her best life! Or is she? The debris of years of dysphoria and failed relationships rattle around in her head. When she tumbles down the stairs at a New Year’s Eve party and wakes up in hospital alone, she decides to make some changes. First things first: a stab at good old-fashioned heteronormativity. Enter Vincent, corporate lawyer and hobby baker. His trad friendship group may as well speak a different language to Max, and his Chinese parents never pictured their son dating a trans woman.

Lila Metcalfe is a trainee journalist in Derby and she's very used to being given the stories that no one else wants. So, when her editor tells her that the city's Cossington Park development is being held up by a solitary resident on Hope Street who is refusing to leave, she knows she is going to be the one sent to find out more. Twenty-something Connor is the sole resident of Hope Street and he is not at all what Lila is expecting. And he has a very clear reason not to move: he is waiting for his mum to come home.

Five years after their break-up, Eve still hasn’t found a reason to believe in true love. But when Foster has an accident and she discovers she’s still listed as his next of kin, Eve knows she can’t let him wake up in hospital with no one by his side. After all, those devilishly blue eyes have always been hard to say no to… Foster isn’t sure if his poor battered brain is playing tricks on him when he sees the only woman he’s ever loved sitting next to his bedside.

Based on the life of cornet player Buddy Bolden, one of the legendary jazz pioneers of turn-of-the-twentieth-century New Orleans, Coming Through Slaughter is an extraordinary recreation of a remarkable musical life and a tragic conclusion. Through a collage of memoirs, interviews, imaginary conversations and monologues, Ondaatje builds a picture of a man who would work by day at a barber shop and by night unleash his talent to wild audiences who had never experienced such playing. But Buddy was also playing the field with two women, and inside his head was a ticking time-bomb.

It starts with a late-night knock on the door. Dee, Liv and Rosa share a flat in south London, while Katie, the fourth member of their friendship group, lives close by with her long-term boyfriend. But, when Katie’s nine-year relationship ends – suddenly and brutally – she turns up on their doorstep with no idea where she’ll live, what to do next or how to do anything after spending so long with her life entwined with someone else’s.

Sunning himself in the south of France, Johnny has started to believe that his life is finally on the up. But the arrival of a face from his past drags him back down to earth with a harsh dose of cold reality. Johnny Klein once again finds himself walking the tightrope between redemption and despair. When his daughter is in danger of getting consumed by the sins of Johnny’s own past, and a dark secret threatens to engulf people he holds dear, light at the end of the tunnel feels further away than ever.

Famous film star Lila Crayne is America's sweetheart: she's generous and kind, gorgeous and magnetic. A golden girl. She and her fiancé, visionary filmmaker Kurt Royall, have settled into a stunning New York apartment, and are embarking on a new movie: a modern feminist adaptation of a classic twentieth-century novel. To prepare for the leading role, Lila begins work with charming and accomplished therapist Jonah Gabriel to dig into the trauma of her past. Soon, Lila's impeccably manicured life begins to unravel on the therapy couch - and Jonah is just the man to pick up the pieces.

Hugo Hunter was the most celebrated gay novelist of the 20th century. He published two masterpieces, securing his place alongside the dazzling literary greats of the 1950s, 60s and 70s, and rubbing shoulders with everyone from Truman Capote to James Baldwin. But after decades of fame and excess, just as New York City enters the 1980s and awakes to the coming horror of AIDS, Hugo finds himself running out of money. Out of nowhere, he receives an extraordinary lifeline: an offer from his longtime publisher. The money will solve all his problems – except for one thing. Hugo Hunter is an imposter.

Caught between his well-meaning yet misapprehending family, his boisterous friends, and his self-assured partner Ben, Elom struggles to fit in. All he ever wants is to feel understood – but what does it mean to live authentically when the only thing changing faster than the world around you is the world within? Moving between Accra, Glasgow, London, and the islands of the outer Hebrides, Selali Fiamanya’s extraordinary debut asks what it means to love and be loved in return. Before We Hit the Ground is an intimate portrait of a family, and one man’s struggle to find his place.

At sixteen, Eva meets Jamie by chance. She lives in middle-class South Brooklyn; he comes from the super-rich of upper Manhattan. She’s observant, cautious, eager to seem normal; he’s curious, bold, full of mysteries. She keeps a keen intelligence under wraps; his eccentric brilliance is all but impossible to repress. While Eva welcomes Jamie into her family’s embrace, he avoids going home; with little in common, they are drawn together in a deep friendship. As Eva goes off to an elite college and falls in and out of love, Jamie drops out of school and joins the Occupy Wall Street movement.

Victor and Zoey are getting old—well, older—and it’s beginning to be a real problem. Best friends since college they have been through thick and thin, poor and poorer, drunk and drunker throughout their twenties in New York. Victor has built a successful career writing celebrity profiles for one of the last glossy magazines left standing, and Zoey is working for a fashion startup that is desperately trying to figure out how to monetize influencers, but has definitely figured out how to create a toxic work culture.

As Mara and Tom navigate their break-up/non-break-up, Mara becomes fixated on the perfect couple living in the flat above her. While her best friend accuses her of being self-involved and her already overfamiliar boss keeps getting her drunker and drunker, the Happy Couple become a symbol for everything Mara and Tom could have been – but, crucially, are not.

Despite the oddballs that keep turning up on her dates, Anna couldn’t be happier. As a 30-something with a job she loves, life has turned out better than she dared dream. However, things weren’t always this way, and her years spent as the ‘Italian Galleon’ of an East London comprehensive are ones she’d rather forget. So when James Fraser – the architect of Anna’s final humiliation at school – walks back into her life, her world is turned upside down. But James seems a changed man. Polite. Mature. Funny, even. People can change, right? So why does Anna feel like she’s a fool to trust him?